French Painting in the Seventeenth CenturyYale University Press, 1995 M01 1 - 324 páginas This richly illustrated panorama of seventeenth-century French painting surveys the works of Poussin, Vouet, Le Sueur, de La Tour, Mignard, and other great and little-known artists. It places this art in relation to literary, political, philosophical, and social developments of the period; considers the foundation of the Royal Academy of Painting in 1648; discusses the influence of Mazarin on artistic developments; explores issues of status, patronage, and connoisseurship; and reexamines the notion of a "French School" of painting, first proposed by the theorist Roger de Piles in 1699. |
Contenido
Foreword | 6 |
CHAPTER 2 | 21 |
CHAPTER 5 | 93 |
CHAPTER 6 | 125 |
CHAPTER 9 | 211 |
CHAPTER 10 | 237 |
CHAPTER 11 | 253 |
CHAPTER 12 | 279 |
| 305 | |
| 318 | |
Términos y frases comunes
Academy altarpieces Antoine Coypel architecture artists Bellange Bibliogr Bibliothèque Nationale Boullogne Bourdon Brun's ceiling centres chapel Charles Le Brun Christ church classical Claude clientèle colours composition decorative schemes Département Département des Estampes Dijon drawing Eglise engravings Exhibition Faré Félibien figures Flemish Fontainebleau France François French painting gallery genre paintings history painting Hôtel Hyre influence Italian Italy Jacques Jean Jouvenet Lallemant Largillierre Le Nain brothers light Lorraine Louis XIV Lyon manner Marie de Médicis Mérot models Musée des Beaux-Arts Musée du Louvre Musée National Nain brothers Nancy National du Château Nicolas Poussin Noël Coypel Oil on canvas painters Paris Parisian particular period Philippe de Champaigne Pierre Mignard Pietro da Cortona portrait portraiture Pourbus private collection reign of Louis religious paintings Roger de Piles Rome Rouen royal Rubens Salon scenes Schnapper Simon Vouet style Sueur tapestries Thuillier tion Toulouse Tour tradition Versailles Vignon Virgin