 Action, and tone, and gesture, the smile of the lover, the frown of the tyrant, the grimace of the buffoon, all must be told, for nothing can be shown. Thus the very dialogue becomes mixed with the narration, for he must not only tell what the characters...  Abbotsford and Sir Walter Scott - Página 188por George King Matthews - 1854 - 235 páginasVista completa - Acerca de este libro
 | 1824 - 758 páginas
...the frown of the tyrant , the grimace of the buffoon, — all must be told, for nothing can be shewn. Thus, the very dialogue becomes mixed with the narration...what the characters actually said, in which his task a the same as that of the dramatic author, but must also describe the tone, the look, the gesture,... | |
 | Henry Fielding - 1821 - 846 páginas
...the frown of the tyrant, the grimace of the buffoon,— all must be told, for nothing can be shewn. Thus, the very dialogue becomes mixed with the narration...tone, the look, the gesture, with which their speech was accompanied, — telling, in short, all which, in the drama, it becomes the province of the actor... | |
 | 1824 - 792 páginas
...the frown of the tyrant, the grimace of the buffoon, — all must be told, for nothing can be shewn. Thus, the very dialogue becomes mixed with the narration...must also describe the tone, the look, the gesture, witli which their speech was accompanied, — telling, in short, all which, in the drama, it becomes... | |
 | William Cullen Bryant, Robert Charles Sands, Henry J. Anderson - 1825 - 506 páginas
...tone, and gfsture, the smile of the lover, the frown of the tyrant, the grimace of the buffoon, all must be told, for nothing can be shown. Thus the very...tone, the look, the gesture, with which their speech was accompanied — telling, in short, all which in the drama it becomes the province of the actor... | |
 | Walter Scott - 1825 - 260 páginas
...tone, and gesture, the smile of the lover, the frown of the tyrant, the grimace of the buffoon, all must be told, for nothing can be shown. Thus the very...tone, the look, the gesture, with which their speech was accompanied — telling, in short, all which in the drama it becomes the province of the actor... | |
 | William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, John Murray, Rowland Edmund Prothero (Baron Ernle), George Walter Prothero - 1826 - 854 páginas
...tone, and gesture, the smile of the lover, the frown of the tyrant, the grimace of the buffoon — all must be told, for nothing can be shown. Thus, the...characters actually said, in which his task is the same its that of the dramatic author, but must also describe the tone, the look, the gesture, with which... | |
 | 1826 - 644 páginas
...tone, and gesture, the smile of the lover, the frown of the tyrant, the grimace of the buffoon — all must be told, for nothing can be shown. Thus, the...only tell what the characters actually said, in which bis t:ck is the same as that of the dramatic author, but must also describe the tone, the look, the... | |
 | Henry Fielding, Walter Scott - 1831 - 564 páginas
...tone, and gesture, the smile of the lover, the frown of the tyrant, the grimace -of the buffoon, all must be told, for nothing can be shown. Thus the very...tone, the look, the gesture, with which their speech was accompanied — telling, in short, all which in the drama it becomes the province of the actor... | |
 | Henry Fielding - 1832 - 438 páginas
...tone, and gesture, the smile of the lover, the frown of the tyrant, the grimace of the buffoon, al, must be told, for nothing can be shown. Thus, the...tone, the look, the gesture, with which their speech was accompanied — telling, in short, all which in the drama it becomes the province of the actor... | |
 | Walter Scott - 1834 - 506 páginas
...tone, and gesture, the smile of the lover, the frown of the tyrant, the grimace of the buffoon, — all must be told, for nothing can be shown. Thus, the...tone, the look, the gesture, with which their speech was accompanied, — telling, in short, all which, in the drama, it becomes the province of the actor... | |
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