But soon they move with softer pace; Or as the wily sailors crept To seize (while on the Deep it slept) The hapless creature which did dwell Erewhile within the dancing shell, They steal upon their prey. With sound the least that can be made, They follow, more and more afraid, More cautious as they draw more near; But in his darkness he can hear, And guesses their intent. "Lei-gha-Lei-gha"-he then cried out, "Lei-gha-Lei-gha"-with eager shout; Thus did he cry, and thus did pray, And what he meant was, "Keep away, And leave me to myself!" Alas! and when he felt their hands- So all his dreams-that inward light As he had ever known. But hark! a gratulating voice, And then, when he was brought to land, Full sure they were a happy band, Which, gathering round, did on the banks Of that great Water give God thanks, And welcomed the poor Child. And in the general joy of heart But most of all, his Mother dear, She led him home, and wept amain, Thus, after he had fondly braved And in the lonely Highland dell And how he was preserved. Note. It is recorded in Dampier's Voyages, that a boy, son of the captain of a Man-of-War, seated himself in a Turtle-shell, and floated in it from the shore to his father's ship, which lay at anchor at the distance of half a mile. In deference to the opinion of a Friend, I have substituted such a shell for the less elegant vessel in which my blind Voyager did actually entrust himself to the dangerous current of Loch Leven, as was related to me by an eye-witness. COMPOSED AT CORA LINN, IN SIGHT OF WALLACE'S TOWER. -How Wallace fought for Scotland, left the name LORD of the vale! astounding Flood; MS. III. EFFUSION, IN THE PLEASURE-GROUND ON THE BANKS OF THE BRAN, NEAR DUNKELD. 'The waterfall, by a loud roaring, warned us when we must expect it. We were first, however, conducted into a small apartment, where the Gardener desired us to look at a picture of Ossian, which, while he was telling the history of the young Artist who executed the work, disappeared, parting in the middle-flying asunder as by the touch of magic-and lo! we are at the entrance of a splendid apartment, which was almost dizzy and alive with waterfalls, that tumbled in all directions; the great cascade, opposite the window, which faced us, being reflected in innumerable mirrors upon the ceiling and against the walls.'-Extract from the Journal of my FellowTraveller. WHAT He-who, mid the kindred throng Doth yet frequent the hill of storms, The stars dim-twinkling through their forms! O Nature-in thy changeful visions, Through all thy most abrupt transitions Smooth, graceful, tender, or sublime— Ever averse to pantomime, Thee neither do they know nor us Thy servants, who can trifle thus ; Of rock that frowns, and stream that roars, Of Spirits, and the undying Lay, *The Effigies of a valiant Wight I once beheld, a Templar Knight; Not prostrate, not like those that rest On tombs, with palms together prest, But sculptured out of living stone, And standing upright and alone, Both hands with rival energy Employed in setting his sword free From its dull sheath-stern sentinel Intent to guard St. Robert's cell; As if with memory of the affray Far distant, when, as legends say, The Monks of Fountain's thronged to force From its dear home the Hermit's corse, That in their keeping it might lie, To crown their abbey's sanctity. So had they rushed into the grot Of sense despised, a world forgot, And torn him from his loved retreat, Where altar-stone and rock-hewn seat Still hint that quiet best is found, Even by the Living, under ground; But a bold Knight, the selfish aim Defeating, put the Monks to shame, There where you see his Image stand Bare to the sky, with threatening brand Which lingering NID is proud to show Reflected in the pool below. Thus, like the men of earliest days, And give the phantom an array That less should scorn the abandoned clay; On the banks of the River Nid, near Knaresborough. |