...had a right to speak, says that in occasional verse "the rhythm should be crisp and sparkling, and the rhyme frequent and never forced, while the entire...tasteful moderation, high finish, and completeness." As his "London Lyrics"— recently republlshed in their final form, with an introduction by Mr. Austin...

...be idiomatic, and rather in the conversational key ; the rhythm should be crisp and sparkling, and the rhyme frequent and never forced, while the entire...finish, and completeness : for, however trivial the subject-matter may be, indeed rather in proportion to its triviality, subordination to the rules of...

...be idiomatic, and rather in the conversational key ; the rhythm should be crisp and sparkling, and the rhyme frequent and never forced, while the entire...finish, and completeness ; for, however trivial the subject-matter may be, indeed rather in proportion to its triviality, subordination to the rules of...

...the conversational key ; the rhythm should be crisp and sparkling, and the rhyme frequent and nerver forced, while the entire poem should be marked by...finish, and completeness ; for, however trivial the subject-matter may be, indeed rather in proportion to its triviality, subordination to the rules of...

...it should have one uniform and simple design. The tone should noc be pitched high, and the language should be idiomatic, the rhythm crisp and sparkling,...entire poem should be marked by tasteful moderation, highfinish, and completeness ; for however trivial the subject matter may be, indeed rather in proportion...

...the conversational key ; the rhythm should be crisp and sparkling, and the rhyme frequent and nerver forced, while the entire poem should be marked by...finish, and completeness ; for, however trivial the subject-matter may be, indeed rather in proportion to its triviality, subordination to the rules of...

...be idiomatic, and rather in the conversational key ; the rhythm should be crisp and sparkling, and the rhyme frequent, and never forced, while the entire...finish, and completeness : for however trivial the subject-matter may be, — indeed, rather in proportion to its triviality, — subordination to the...

...simple design. The tone should not be pitched high, and the language should be idiomatic, the rythm crisp and sparkling, the rhyme frequent and never...finish, and completeness, for, however trivial the subjectmatter may be, indeed, rather in proportion to its triviality, subordination to the rules of...

...be idiomatic, and rather in the conversational key ; the rhythm should be crisp and sparkling, and the rhyme frequent, and never forced, while the entire...finish, and completeness : for, however trivial the subject-matter maybe — indeed, rather in proportion to its triviality — subordination to the rules...

...it should have one uniform and simple design. The tone should not be pitched high, and the language should be idiomatic, the rhythm crisp and sparkling,...frequent and never forced, while the entire poem should bo marked by tasteful moderation, high finish, and completeness; for however trivial the subject matter...