Ballads, Songs, and Snatches: The Appropriation of Folk Song and Popular Culture in British Nineteenth-century Realist ProseAshgate, 1999 - 221 páginas As a book on allusion, this has interest for both the traditional literary or cultural historian and for the modern student of textuality and readership positions. It focuses on allusion to folksong, and, more tangentially, to popular culture, areas which have so far been slighted by literary critics. In the nineteenth century many authors attempted to mediate the culture(s) of the working classes for the enjoyment of their predominantly middle-class audiences. In so doing they took songs out of their original social and musical contexts and employed a variety of strategies which - consciously or unconsciously - romanticised, falsified or denigrated what the novels or stories claimed to represent. In addition, some writers who were well-informed about the cultures they described used allusion to song as a covert system of reference to topics such as sexuality and the criticism of class and gender relations which it was difficult to discuss directly. |
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Página 28
... story and her death by or after immersion in the sea has some similarities with the story of ' The Lass of Lochroyan ' . " In Chapter 40 Elspeth revamps a verse from ' The Douglas Tragedy ' to suit her version of the situation : 51 He ...
... story and her death by or after immersion in the sea has some similarities with the story of ' The Lass of Lochroyan ' . " In Chapter 40 Elspeth revamps a verse from ' The Douglas Tragedy ' to suit her version of the situation : 51 He ...
Página 51
... stories and historical tales . The son of a sea - captain , as a sickly child he read ballads and story books such as ' Chevy Chase ' and ' Leper the Tailor ' ( the latter was among the prose chapbooks collected by the young Scott bound ...
... stories and historical tales . The son of a sea - captain , as a sickly child he read ballads and story books such as ' Chevy Chase ' and ' Leper the Tailor ' ( the latter was among the prose chapbooks collected by the young Scott bound ...
Página 123
... Story of Street Literature ( 1973 ) , 36 . M. Cotsell , The Companion to Our Mutual Friend ( 1986 ) , 55-57 ... Stories ' . 230 ( Book 1 , Chapter 15 ) . The original words to ' The Light Guitar ' / ' O , Leave the Gay and Festive Scene ...
... Story of Street Literature ( 1973 ) , 36 . M. Cotsell , The Companion to Our Mutual Friend ( 1986 ) , 55-57 ... Stories ' . 230 ( Book 1 , Chapter 15 ) . The original words to ' The Light Guitar ' / ' O , Leave the Gay and Festive Scene ...
Contenido
Scott | 12 |
Scotts Contemporaries | 51 |
Scotts Legacy and Three Muscular Christians | 62 |
Derechos de autor | |
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Ballads, Songs and Snatches: The Appropriation of Folk Song and Popular ... C.M. Jackson-Houlston Vista previa limitada - 2016 |
Ballads, Songs and Snatches: The Appropriation of Folk Song and Popular ... C. M. Jackson-Houlston Sin vista previa disponible - 2016 |
Términos y frases comunes
allusion audience Bamford Borrow broadsides Burns characters Chartist church bands claims collection comic context dance dialect Dick Dickens discussion Dorset Dryburgh edn early Edinburgh edition Eliot Elizabeth Gaskell Elliott England English Essays example fiction folk music folk song Gaskell Gaskell's George Eliot gipsies Hammond Hardy's History Hogg Hughes Hullah intertexts Jacobite Jefferies John kind Kingsley labourers Lady later Lavengro literary Macmillan Maidment Manchester manuscript Mary Barton material middle-class Minstrelsy Mitford narrator nineteenth century novel novelist Oldbuck oral tradition pieces poem Poetical poetry popular culture popular song printed quotation quotes reader record references Reliques Rhymes Richard Jefferies Romany Romany Rye rural Samuel Bamford Scotland Scottish singers singing social Song Book sung Sylvia's Lovers Tess Thackeray Thackeray's Thomas Hardy traditional songs tune Vaughan Williams Memorial verse Victorian village Walter Scott Waverley Waverley Novels Wegg Wessex Williams Memorial Library words working-class writing