Ballads, Songs, and Snatches: The Appropriation of Folk Song and Popular Culture in British Nineteenth-century Realist ProseAshgate, 1999 - 221 páginas As a book on allusion, this has interest for both the traditional literary or cultural historian and for the modern student of textuality and readership positions. It focuses on allusion to folksong, and, more tangentially, to popular culture, areas which have so far been slighted by literary critics. In the nineteenth century many authors attempted to mediate the culture(s) of the working classes for the enjoyment of their predominantly middle-class audiences. In so doing they took songs out of their original social and musical contexts and employed a variety of strategies which - consciously or unconsciously - romanticised, falsified or denigrated what the novels or stories claimed to represent. In addition, some writers who were well-informed about the cultures they described used allusion to song as a covert system of reference to topics such as sexuality and the criticism of class and gender relations which it was difficult to discuss directly. |
Dentro del libro
Resultados 1-3 de 53
Página 6
... pieces , such as drinking songs . Sometimes we need to call in distinctions of this kind but the original singers did not necessarily do so . They sang what they liked when it came their way , whatever its source . 9 Because oral ...
... pieces , such as drinking songs . Sometimes we need to call in distinctions of this kind but the original singers did not necessarily do so . They sang what they liked when it came their way , whatever its source . 9 Because oral ...
Página 15
... pieces based on and using the same conventions as the pieces they had heard from a more purely oral tradition did . And these pieces returned , both in print and orally , to undergo further variation and re - creation through ...
... pieces based on and using the same conventions as the pieces they had heard from a more purely oral tradition did . And these pieces returned , both in print and orally , to undergo further variation and re - creation through ...
Página 79
... pieces sung at the revel leads to the conclusion that Kingsley is sometimes pastiching working class songs to create false intertexts . That this is not merely an insignificant sideline to the main business of the book is shown by the ...
... pieces sung at the revel leads to the conclusion that Kingsley is sometimes pastiching working class songs to create false intertexts . That this is not merely an insignificant sideline to the main business of the book is shown by the ...
Contenido
Scott | 12 |
Scotts Contemporaries | 51 |
Scotts Legacy and Three Muscular Christians | 62 |
Derechos de autor | |
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Ballads, Songs and Snatches: The Appropriation of Folk Song and Popular ... C.M. Jackson-Houlston Vista previa limitada - 2016 |
Ballads, Songs and Snatches: The Appropriation of Folk Song and Popular ... C. M. Jackson-Houlston Sin vista previa disponible - 2016 |
Términos y frases comunes
allusion audience Bamford Borrow broadsides Burns characters Chartist church bands claims collection comic context dance dialect Dick Dickens discussion Dorset Dryburgh edn early Edinburgh edition Eliot Elizabeth Gaskell Elliott England English Essays example fiction folk music folk song Gaskell Gaskell's George Eliot gipsies Hammond Hardy's History Hogg Hughes Hullah intertexts Jacobite Jefferies John kind Kingsley labourers Lady later Lavengro literary Macmillan Maidment Manchester manuscript Mary Barton material middle-class Minstrelsy Mitford narrator nineteenth century novel novelist Oldbuck oral tradition pieces poem Poetical poetry popular culture popular song printed quotation quotes reader record references Reliques Rhymes Richard Jefferies Romany Romany Rye rural Samuel Bamford Scotland Scottish singers singing social Song Book sung Sylvia's Lovers Tess Thackeray Thackeray's Thomas Hardy traditional songs tune Vaughan Williams Memorial verse Victorian village Walter Scott Waverley Waverley Novels Wegg Wessex Williams Memorial Library words working-class writing