Ballads, Songs, and Snatches: The Appropriation of Folk Song and Popular Culture in British Nineteenth-century Realist ProseAshgate, 1999 - 221 páginas As a book on allusion, this has interest for both the traditional literary or cultural historian and for the modern student of textuality and readership positions. It focuses on allusion to folksong, and, more tangentially, to popular culture, areas which have so far been slighted by literary critics. In the nineteenth century many authors attempted to mediate the culture(s) of the working classes for the enjoyment of their predominantly middle-class audiences. In so doing they took songs out of their original social and musical contexts and employed a variety of strategies which - consciously or unconsciously - romanticised, falsified or denigrated what the novels or stories claimed to represent. In addition, some writers who were well-informed about the cultures they described used allusion to song as a covert system of reference to topics such as sexuality and the criticism of class and gender relations which it was difficult to discuss directly. |
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Página 147
... Church Bands First I would like to discuss Hardy's use of a form of music very much associated with his writing but not what is usually understood as folk music , that is , the music performed by the local bands in church , often in a ...
... Church Bands First I would like to discuss Hardy's use of a form of music very much associated with his writing but not what is usually understood as folk music , that is , the music performed by the local bands in church , often in a ...
Página 170
... Music ' , in The Gallery Tradition , ed . C. Turner ( 1997 ) , 50 . N. Temperley , The Music of the English Parish Church ( 1983 ) , 156 . Gillian Warson discusses some of the literary accounts of this music in ' The English Choir - band ...
... Music ' , in The Gallery Tradition , ed . C. Turner ( 1997 ) , 50 . N. Temperley , The Music of the English Parish Church ( 1983 ) , 156 . Gillian Warson discusses some of the literary accounts of this music in ' The English Choir - band ...
Página 174
... church bands , where a strong if relatively recent musical tradition became socially evident because it was formally institutionalized through its relations with the Established Church and various non - conformist church organisations ...
... church bands , where a strong if relatively recent musical tradition became socially evident because it was formally institutionalized through its relations with the Established Church and various non - conformist church organisations ...
Contenido
Scott | 12 |
Scotts Contemporaries | 51 |
Scotts Legacy and Three Muscular Christians | 62 |
Derechos de autor | |
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Ballads, Songs and Snatches: The Appropriation of Folk Song and Popular ... C.M. Jackson-Houlston Vista previa limitada - 2016 |
Ballads, Songs and Snatches: The Appropriation of Folk Song and Popular ... C. M. Jackson-Houlston Sin vista previa disponible - 2016 |
Términos y frases comunes
allusion audience Bamford Borrow broadsides Burns characters Chartist church bands claims collection comic context dance dialect Dick Dickens discussion Dorset Dryburgh edn early Edinburgh edition Eliot Elizabeth Gaskell Elliott England English Essays example fiction folk music folk song Gaskell Gaskell's George Eliot gipsies Hammond Hardy's History Hogg Hughes Hullah intertexts Jacobite Jefferies John kind Kingsley labourers Lady later Lavengro literary Macmillan Maidment Manchester manuscript Mary Barton material middle-class Minstrelsy Mitford narrator nineteenth century novel novelist Oldbuck oral tradition pieces poem Poetical poetry popular culture popular song printed quotation quotes reader record references Reliques Rhymes Richard Jefferies Romany Romany Rye rural Samuel Bamford Scotland Scottish singers singing social Song Book sung Sylvia's Lovers Tess Thackeray Thackeray's Thomas Hardy traditional songs tune Vaughan Williams Memorial verse Victorian village Walter Scott Waverley Waverley Novels Wegg Wessex Williams Memorial Library words working-class writing