Ballads, Songs, and Snatches: The Appropriation of Folk Song and Popular Culture in British Nineteenth-century Realist ProseAshgate, 1999 - 221 páginas As a book on allusion, this has interest for both the traditional literary or cultural historian and for the modern student of textuality and readership positions. It focuses on allusion to folksong, and, more tangentially, to popular culture, areas which have so far been slighted by literary critics. In the nineteenth century many authors attempted to mediate the culture(s) of the working classes for the enjoyment of their predominantly middle-class audiences. In so doing they took songs out of their original social and musical contexts and employed a variety of strategies which - consciously or unconsciously - romanticised, falsified or denigrated what the novels or stories claimed to represent. In addition, some writers who were well-informed about the cultures they described used allusion to song as a covert system of reference to topics such as sexuality and the criticism of class and gender relations which it was difficult to discuss directly. |
Dentro del libro
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Página 4
... audience's horizons of expectation and their degrees of knowledge , which vary according to their historical circumstances . This book aims to recreate the circumstances of the audience originally anticipated by the writers . Many ...
... audience's horizons of expectation and their degrees of knowledge , which vary according to their historical circumstances . This book aims to recreate the circumstances of the audience originally anticipated by the writers . Many ...
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... audience . Scott's Audiences , Knowledge and Inclinations 5 One needs to point out that if one were talking about an English novelist and an exclusively English audience of Scott's period one would have to draw the lines in different ...
... audience . Scott's Audiences , Knowledge and Inclinations 5 One needs to point out that if one were talking about an English novelist and an exclusively English audience of Scott's period one would have to draw the lines in different ...
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... audience for whom [ ballads ] were composed , ' and this cultural amphibiousness must have been characteristic of at least some of his readers as well . , 20 So , the Scottish audience of Scott's novels would probably have had quite a ...
... audience for whom [ ballads ] were composed , ' and this cultural amphibiousness must have been characteristic of at least some of his readers as well . , 20 So , the Scottish audience of Scott's novels would probably have had quite a ...
Contenido
Scott | 12 |
Scotts Contemporaries | 51 |
Scotts Legacy and Three Muscular Christians | 62 |
Derechos de autor | |
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Ballads, Songs and Snatches: The Appropriation of Folk Song and Popular ... C.M. Jackson-Houlston Vista previa limitada - 2016 |
Ballads, Songs and Snatches: The Appropriation of Folk Song and Popular ... C. M. Jackson-Houlston Sin vista previa disponible - 2016 |
Términos y frases comunes
allusion audience Bamford Borrow broadsides Burns characters Chartist church bands claims collection comic context dance dialect Dick Dickens discussion Dorset Dryburgh edn early Edinburgh edition Eliot Elizabeth Gaskell Elliott England English Essays example fiction folk music folk song Gaskell Gaskell's George Eliot gipsies Hammond Hardy's History Hogg Hughes Hullah intertexts Jacobite Jefferies John kind Kingsley labourers Lady later Lavengro literary Macmillan Maidment Manchester manuscript Mary Barton material middle-class Minstrelsy Mitford narrator nineteenth century novel novelist Oldbuck oral tradition pieces poem Poetical poetry popular culture popular song printed quotation quotes reader record references Reliques Rhymes Richard Jefferies Romany Romany Rye rural Samuel Bamford Scotland Scottish singers singing social Song Book sung Sylvia's Lovers Tess Thackeray Thackeray's Thomas Hardy traditional songs tune Vaughan Williams Memorial verse Victorian village Walter Scott Waverley Waverley Novels Wegg Wessex Williams Memorial Library words working-class writing