Ballads, Songs, and Snatches: The Appropriation of Folk Song and Popular Culture in British Nineteenth-century Realist ProseAshgate, 1999 - 221 páginas As a book on allusion, this has interest for both the traditional literary or cultural historian and for the modern student of textuality and readership positions. It focuses on allusion to folksong, and, more tangentially, to popular culture, areas which have so far been slighted by literary critics. In the nineteenth century many authors attempted to mediate the culture(s) of the working classes for the enjoyment of their predominantly middle-class audiences. In so doing they took songs out of their original social and musical contexts and employed a variety of strategies which - consciously or unconsciously - romanticised, falsified or denigrated what the novels or stories claimed to represent. In addition, some writers who were well-informed about the cultures they described used allusion to song as a covert system of reference to topics such as sexuality and the criticism of class and gender relations which it was difficult to discuss directly. |
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Página 28
... Barton still attended his club , and was an active member of a Trades ' Union ; indeed , more frequently than ever , since the time of Mary's return in the evening was so uncertain ; and , as she occasionally , in very busy times ...
... Barton still attended his club , and was an active member of a Trades ' Union ; indeed , more frequently than ever , since the time of Mary's return in the evening was so uncertain ; and , as she occasionally , in very busy times ...
Página 24
... Mary and Alice had always liked each other ; indeed , Alice looked with particular interest on the motherless girl , the daughter of her whose forgiving kiss had com- forted her in many sleepless hours . So there was 24 MARY BARTON.
... Mary and Alice had always liked each other ; indeed , Alice looked with particular interest on the motherless girl , the daughter of her whose forgiving kiss had com- forted her in many sleepless hours . So there was 24 MARY BARTON.
Página 381
... Mary have mourning to make. Death at the Bartons'. Mary and Aunt Esther sit up by turns. Mary's first love. How in the midst of much sorrow, Mary is happy in her own individual world of love. Poor Thomas Barton. Thomas and Mary quarrel ...
... Mary have mourning to make. Death at the Bartons'. Mary and Aunt Esther sit up by turns. Mary's first love. How in the midst of much sorrow, Mary is happy in her own individual world of love. Poor Thomas Barton. Thomas and Mary quarrel ...
Contenido
Scott | 12 |
Scotts Contemporaries | 51 |
Scotts Legacy and Three Muscular Christians | 62 |
Derechos de autor | |
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Ballads, Songs and Snatches: The Appropriation of Folk Song and Popular ... C.M. Jackson-Houlston Vista previa limitada - 2016 |
Ballads, Songs and Snatches: The Appropriation of Folk Song and Popular ... C. M. Jackson-Houlston Sin vista previa disponible - 2016 |
Términos y frases comunes
allusion audience Bamford Borrow broadsides Burns characters Chartist church bands claims collection comic context dance dialect Dick Dickens discussion Dorset Dryburgh edn early Edinburgh edition Eliot Elizabeth Gaskell Elliott England English Essays example fiction folk music folk song Gaskell Gaskell's George Eliot gipsies Hammond Hardy's History Hogg Hughes Hullah intertexts Jacobite Jefferies John kind Kingsley labourers Lady later Lavengro literary Macmillan Maidment Manchester manuscript Mary Barton material middle-class Minstrelsy Mitford narrator nineteenth century novel novelist Oldbuck oral tradition pieces poem Poetical poetry popular culture popular song printed quotation quotes reader record references Reliques Rhymes Richard Jefferies Romany Romany Rye rural Samuel Bamford Scotland Scottish singers singing social Song Book sung Sylvia's Lovers Tess Thackeray Thackeray's Thomas Hardy traditional songs tune Vaughan Williams Memorial verse Victorian village Walter Scott Waverley Waverley Novels Wegg Wessex Williams Memorial Library words working-class writing