The Pit: A Story of Chicago

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Penguin, 1994 - 386 páginas
In "The Octopus" (1901), one of the earliest muckraking novels of the Progressive Era, Frank Norris exposed the operations of the ruthless, "laissez-faire" capitalism sanctioned by turn-of-the-century Social Darwinists. "The Pit" (1903), the second novel in Norris's projected trilogy, continues the "Epic of the Wheat" with the story of Curtis Jadwin, a speculator bent on cornering the wheat market, and his brutally abused wife, Laura. Mingling realism and romanticism, Norris created in Laura a heroine whose psychological complexity rivals that of Flaubert's Madame Bovary or Edna Pontellier in Kate Chopin's "The Awakening."

Edited for the first time as Norris intended it, this masterpiece of American literary naturalism is fully contextualized in the introduction and explanatory notes by Joseph R. McElrath, Jr. and Gwendolyn Jones.

 

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LibraryThing Review

Crítica de los usuarios  - Schmerguls - LibraryThing

I started reading this on June 1, 1946 and on that date said: "It's terible so far." It got better, and I remember being blown away by the description of the trading on the floor. And in 1952 when I ... Leer comentario completo

LibraryThing Review

Crítica de los usuarios  - Schmerguls - LibraryThing

256. The Pit A Story of Chicago, by Frank Norris (read 5 June 1946) I started reading this on June 1, 1946 and on that date said: "It's terrible so far." It got better, and I remember being blown away ... Leer comentario completo

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Contenido

DEDICATION
2
PRINCIPAL CHARACTERS IN THE NOVEL
3
PREFACE
4
THE TEXT
7
EXPLANATORY NOTES
371
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Acerca del autor (1994)

Considered one of the leading pioneers in American Naturalism, Frank Norris is read and studied for his vivid and honest depiction of life at the beginning of a lusty and developing new century. Born in Chicago, he moved to San Francisco with his well-to-do family when he was 14 and went on to attend the University of California and Harvard University before becoming a war correspondent in South Africa and Cuba. His early apprentice work consisted mostly of rather unremarkable adventure stories, but with the long-gestating McTeague: A Story of San Francisco (1899), he struck a new note. That powerful study of avarice in a seedy section of the Bay Area may well be Norris's masterpiece. The Octopus (1901), the first of Norris's projected Epic of the Wheat series, deals with the raising of wheat in California and the struggle of ranchers against the railroads, while The Pit (1903) is a novel about speculation on the Chicago wheat exchange. Unfortunately, Norris died suddenly after an operation for appendicitis. Like Stephen Crane, a writer with whom Norris is frequently compared, Norris died too young to fulfill his considerable promise, but he has more than held his own ground among turn-of-the-century writers whose works have lived. One reason may be that he took his craft as a writer seriously, as is shown by his posthumously published Responsibilities of the Novelist and Other Literary Essays (1903) and The Literary Criticism of Frank Norris, edited by Donald Pizer.

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