On the Walls and in the Streets: American Poetry Broadsides from the 1960s

University of Illinois Press, 1997 - 206 páginas
James Sullivan presents a brief history of American poetry broadsides from the seventeenth through twentieth centuries. He then explores the extensive use of the broadside during one era, the 1960s, showing how it refigured the poetry of Gwendolyn Brooks, Robert Lowell, Allen Ginsberg, and others and situating it for specific cultural uses within the social and political struggles of the times. Sullivan's introduction lays out the project's theoretical groundwork in the cultural studies movement and surveys the history of the broadside in North America since the advent of printing.

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Real Cool Pages The Broadside Press Broadside Series and the Black Arts Movement
Power to the Peoples Mimeo Machines Ephemeral Broadsides of the Antiwar Movement
Signed Edition Investing the Cultural Capital of Robert Lowell
The Aura of the Text Fine Printing and the Poem as Art Object
Ginsberg in the Closed Stacks The Library as Site of Reception

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Acerca del autor (1997)

James D. Sullivan is an instructor in English at Illinois Central College, Peoria.

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