of an admiring multitude, rushed to his relief with thirsty lancets : apoplexy, oh, of course, apoplexy: and they nodded to each other confidentially Yes, he was dying: they might not move him now: he must die in his sins, at that dread season, upon that dread spot. Perjury, robbery, and murder, all had fastened on his soul, and were feeding there like harpies at a Strophadian feast, or vultures ravening on the liver of Prometheus. Guilt, vengeance, death, had got hold of him and rent him, as wild horses tearing him asunder different ways; he lay there gurgling, strangling, gasping, panting : Done could help him, none could give him ease : he was going on the dark dull path in the bottom of that awful valley, where Death's cold shadow overclouds it like a canopy; he was sinking in that deep black water, that must some day drown us all-pray Heaven, with hope to cheer us then, and comfort in the fierce extremity --His eye filmed, his lower jaw relaxed, his head dropped back, he was dying, dying, dying On a sudden he rallied ! his blood had rushed back again from head to heart, and all the doctors were deceived; again he battled and fought, and wrestled, and Aung them from him; again he howled, and his eyes glared lightning :mad ?-Yes—mad! stark mad! quick, quick, we cannot hold him ; save yourselves, there ! But he only broke away from them to stand up free; then he gave one scream, leaped high into the air, and fell down dead in the dock, with a crimson stream of blood issuing from his mouth. From the “ Crock of Gold." RICHARD MONCKTON MILNES. RICHARD MONCKTON MIlves was born in Yorkshire about the year 1806. After graduating at Cambridge he travelled for some time on the continent, and, on his return to England, was elected a member of Parliament for the borough of Pontefract. His poetical work consist of “Poems, Legendary and Historical," “Poems of Many Years,” Muvials of Many Scenes.” « Memorials of a Tour YOUTH AND MANHOOD. Youth, that pursuest with such eager pace Thy even way, Then stay! oh, stay! Loiter,--enjoy: A second boy. When seen from far; Hides what they are. Thou canst not know, Dead fields of snow. Which, all too fast, A man at last! LABOR. Heart of the People! Working men! Marrow and nerve of human powers; Through streaming time this world of ours; That ye are undismay'd and strong, May to the sons of earth belong. These offices, or burdens fall; Is lord and master of us all. Must meet the morn with horse and hound, Pursues afresh his wonted round. Is but your working comrade now, Might whistle by the loom or plough; Of warm repose and careless joy,- He strives, as active, to destroy. But who is this with wasted frame, Sad sign of vigor overwrought ? What toil can this new victim claim ? Pleasure, for pleasure's sake besought. How men would mock her flaunting shows, Her golden promise, if they knew What weary work she is to those Who have no better work to do! And he who still and silent sits In closèd room or shady nook, And seems to nurse his idle wits With folded arms or open book: To things now working in that mind Your children's children well may owe Blessings that hope has ne'er defined, Till from his busy thoughts they flow. Thus all must work: with head or hand, For self or others, good or ill; Life is ordain'd to bear, like land, Some fruit, be fallow as it will: Evil has force itself to sow Where we deny the healthy seed, And all our choice is this,---to grow Pasture and grain, or noisome weed. Unenvious of each other's lot, Have travail which ye reckon not: Who, from the task within his span, Earns for himself his evening rest, And an increase of good for man. RICH AND POOR. When God built up the dome of blue, And portion'd earth's prolific floor, The measure of his wisdom drew A line between the rich and poor; And till that vault of glory fall, Or beauteous earth be scarr'd with flame, Or saving love be all in all, That rule of life will rest the same. We know not why, we know not how Mankind are framed for weal or woBut to the eternal law we bow; If such things are, they must be so. Yet, let no cloudy dreams destroy One truth outshining bright and clear, That wealth is only hope and joy, And poverty but pain and fear. Behold our children as they play! Blest creatures, fresh from nature's hand; As the young heir to gold and land; Their little needs of equal care, All homes alike endear'd and fair. Could keep our knowledge safe from worse; So pride be but the owner's curse ; Our hearts would tell, by instinct sure, How wealthy the contented poor! And strength to keep desire at bay, Whatever else besets our way. But we can meet and fight it through, And conscience is our captain too. LEIGH HUNT. 1784. LEIGH IIunt, the journalist and poet, is a son of a clergyman of the Church of England, and was born at Southgate, in Middlesex, October 19, 1784. He received his education at Christ's Hospital, where he continued until his fifteenth year. In 1801, being then clerk to an attorney, he published, under the title of “ Juvenilia,” the poems he had at various times composed. In 1805, he assisted his brother John in writing for a paper called the News;" and three years afterward he established, in connection with his brother, the “Examiner" newspaper. This was conducted with great independence and spirit, as well as talent and learning, and very soon took a high rank, and exerted a wide influ For writing, however, with too much freedom against the measures of the no similar attacks should appear; but they were firmly and nobly rejected. Mr. Hunt was not idle in prison; he continued to write and amuse himself in various ways. His independent spirit could not be subdued by such miserable efforts of tyranny, and he proved pretty conclusively that ence. “ Stone walls do not a prison make, Nor iron bars a cage." Upon his liberation he continued to maintain the “Examiner" as before at the head of the weekly press. In 1810 he commenced a quarterly magazine called “ The Reflector;" but it did not prove successful. Mr. Hunt's chief fame has been won as an essayist, in which character his best pieces are to be found in a collection called the “Round Table," written in conjunction with Hazlitt. His chief works are, “Rimini," an Italian talo in verse; “Classic Tales," “ Feast of the Poets,” “ The Descent of Liberty, a Mask," "The Literary Pocket Book," “ The Legend of Florence," " Hero and Leander," " Imagination and Fancy," “Wit and Humor," " Captain Sword and Captain Pen,” “A Book for a Corner," 2 volumes, &c. FUNERAL OF THE LOVERS IN “RIMINI." The days were then at close of autumn still, |