Post-colonial ShakespearesAnia Loomba, Martin Orkin Psychology Press, 1998 - 308 páginas This carefully focused collection of superb new essays explores the multiple possiblities for the study of Shakespeare in an emerging postcolonial period. Postcolonial Shakespeares examines the extent to which our assumption about key terms such as 'colonisation', 'race', and 'nation' derive from early modern English culture. It also looks at how such terms are themselves affected by what was established subsequently as 'colonial' forms of knowledge. The volume features original work by some of the leading critics within the field of Shakespeare studies, including: * Andreas Bertoldi * Jerry Brotton * Jonathan Burton * Jonathan Dollimore * Terence Hawkes * Margo Hendricks * David Johnson * Ania Loomba * Michael Neill * Martin Orkin * Avraham Oz * Nicholas Visser It is the most authoritative of such collections to date and represents an exciting step forward for both postcolonial and Shakespeare studies. |
Contenido
Introduction Shakespeare and the postcolonial question | 1 |
Part 1 | 21 |
This Tunis sir was Carthage Contesting colonialism in The Tempest | 23 |
A most wily bird Leo Africanus Othello and the trafficking in difference | 43 |
These bastard signs of fair Literary whiteness in Shakespeares sonnets | 64 |
Tis not the fashion to confess ShakespearePostcolonialityJohannesburg 1996 | 84 |
Nation and place in Shakespeare The case of Jerusalem as a national desire in early modern English drama | 98 |
Bryn Glas | 117 |
Postcolonial Shakespeare? Writing away from the centre | 164 |
Possessing the book and peopling the text | 186 |
Shakespeare and Hanekom King Lear and land A South African perspective | 205 |
From the colonial to the postcolonial Shakespeare and education in Africa | 218 |
Shakespeare psychoanalysis and the colonial encounter The case of Wulf Sachss Black Hamlet | 235 |
Shakespeare and theory | 259 |
277 | |
299 | |
Part 2 | 141 |
Localmanufacture madeinIndia Othello fellows Issues of race hybridity and location in postcolonial Shakespeares | 143 |
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African Africanus's Ania Loomba apartheid argued beauty become Black Hamlet British Bryn Glas C. L. R. James Carthage century Christian colonial colonialist colour concern contemporary context cultural Desdemona discourse dominant drama early modern England Empire English essay European fairness Freud gender Geographical Historie Greenblatt Henry Hulme human hybridity ibid identity ideology imperial intellectual Islam Jerusalem Johannesburg John Kathakali King King Lear land language Lear Leo Africanus literary literature London Lucrece Lucrece's Martin Orkin Mediterranean Moor Moor's Last Sigh narrative Oedipus complex Othello play's political post-colonial criticism post-colonial Shakespeare post-modern present Prospero psychoanalysis question race racial radical rape Rape of Lucrece reading recent relation Renaissance Sachs Sachs's sense sexual Shake Shakespeare text Shakespeare's play significant social Sonnet 20 sonnets South Africa specific structural studies suggests super-ego Tarquin's Tempest theatre theory Third World tion Tunis University Wales Welsh Western writing