Matthew Arnold, John Ruskin, and the Modern Temper

aesthetic architecture aristocracy Arnold and Ruskin Arthur Hugh Clough artist beauty believe Byron called Carlyle Chartist Classical Tradition darkness detachment E. T. Cook economic Edited Empedocles England English Essays in Criticism expression fact feeling France French Grand Style Greek happiness Homer human Ibid ideal ideas intellectual John Ruskin Kenneth Allott laissez faire landscape laws Letters of Arnold Letters to Clough Lionel Trilling literature London Matthew Arnold ment mind misery Modern Painters moral Nature of Gothic never noble nold Oxford painting pathetic fallacy perfect pleasure poem poet poetic poetry political economy principle question R. H. Super religion religious revolution romantic schools seemed Seven Lamps social society soul spirit Stones of Venice things Thomas Arnold thought Thyrsis tion true truth University Press Unto This Last Victorian vocation volume of Modern Wordsworth Writer's Recollections writing