XLI.

NUNNERY.

[I BECAME acquainted with the walks of Nunnery when a boy: they are within easy reach of a day's pleasant excursion from the town of Penrith, where I used to pass my summer holidays under the roof of my maternal Grandfather. The place is well worth visiting; though, within these few years, its privacy, and therefore the pleasure which the scene is so well fitted to give, has been injuriously affected by walks cut in the rocks on that side the stream which had been left in its natural state.]

THE floods are roused, and will not soon be weary :
Down from the Pennine Alps* how fiercely sweeps
CROGLIN, the stately Eden's tributary!

He raves, or through some moody passage creeps
Plotting new mischief-out again he leaps
Into broad light, and sends; through regions airy,
That voice which soothed the Nuns while on the steeps
They knelt in prayer, or sang to blissful Mary.
That union ceased: then, cleaving easy walks
Through crags, and smoothing paths beset with danger,
Came studious Taste; and many a pensive stranger
Dreams on the banks, and to the river talks.
What change shall happen next to Nunnery Dell?
Canal, and Viaduct, and Railway, tell!

*The chain of Crossfell.

XLII.

STEAMBOATS, VIADUCTS, AND RAILWAYS.

MOTIONS and Means, on land and sea at war
With old poetic feeling, not for this,
Shall ye, by Poets even, be judged amiss!
Nor shall your presence, howsoe'er it mar
The loveliness of Nature, prove a bar
To the Mind's gaining that prophetic sense
Of future change, that point of vision, whence
May be discovered what in soul ye are.
In spite of all that beauty may disown
In your harsh features, Nature doth embrace
Her lawful offspring in Man's art; and Time,
Pleased with your triumphs o'er his brother Space,
Accepts from your bold hands the proffered crown
Of hope, and smiles on you with cheer sublime.

XLIII.

THE MONUMENT COMMONLY CALLED LONG MEG AND HER
DAUGHTERS, NEAR THE RIVER EDEN.

A WEIGHT of awe, not easy to be borne,
Fell suddenly upon my Spirit-cast
From the dread bosom of the unknown past,
When first I saw that family forlorn.

Speak Thou, whose massy strength and stature scorn
The power of years-pre-eminent, and placed
Apart, to overlook the circle vast-

Speak, Giant-mother! tell it to the Morn
While she dispels the cumbrous shades of Night;
Let the Moon hear, emerging from a cloud;
At whose behest uprose on British ground
That Sisterhood, in hieroglyphic round
Forth-shadowing, some have deemed, the infinite
The inviolable God, that tames the proud *!

XLIV.

LOWTHER.

["CATHEDRAL pomp." It may be questioned whether this union was in the contemplation of the artist when he planned the edifice. However this might be, a poet may be excused for taking the view of the subject presented in this Sonnet.]

LOWTHER! in thy majestic Pile are seen
Cathedral pomp and grace, in apt accord
With the baronial castle's sterner mien;
Union significant of God adored,

And charters won and guarded by the sword
Of ancient honour; whence that goodly state
Of polity which wise men venerate,
And will maintain, if God his help afford.
Hourly the democratic torrent swells;
For airy promises and hopes suborned

* See Note.

The strength of backward-looking thoughts is scorned. Fall if ye must, ye Towers and Pinnacles,

With what ye symbolise; authentic Story

Will say, Ye disappeared with England's Glory!

XLV.

TO THE EARL OF LONSDALE.

'Magistratus indicat virum.'

LONSDALE! it were unworthy of a Guest,
Whose heart with gratitude to thee inclines,
If he should speak, by fancy touched, of signs
On thy Abode harmoniously imprest,

Yet be unmoved with wishes to attest
How in thy mind and moral frame agree
Fortitude, and that Christian Charity
Which, filling, consecrates the human breast.
And if the Motto on thy 'scutcheon teach

With truth, 'THE MAGISTRACY SHOWS THE MAN;'
That searching test thy public course has stood;
As will be owned alike by bad and good,
Soon as the measuring of life's little span
Shall place thy virtues out of Envy's reach *.

* See Note.

XLVI.

THE SOMNAMBULIST.

[THIS poem might be dedicated to my friends, Sir G. Beaumont and Mr. Rogers jointly. While we were making an excursion together in this part of the Lake District we heard that Mr. Glover, the artist, while lodging at Lyulph's Tower, had been disturbed by a loud shriek, and upon rising he had learnt that it had come from a young woman in the house who was in the habit of walking in her sleep. In that state she had gone down stairs, and, while attempting to open the outer door, either from some difficulty or the effect of the cold stone upon her feet, had uttered the cry which alarmed him. It seemed to us all that this might serve as a hint for a poem, and the story here told was constructed and soon after put into verse by me as it now stands.]

LIST, ye who pass by Lyulph's Tower*
At eve; how softly then

Doth Aira-force, that torrent hoarse,
Speak from the woody glen!

Fit music for a solemn vale!

And holier seems the ground
To him who catches on the gale
The spirit of a mournful tale,
Embodied in the sound.

Not far from that fair site whereon
The Pleasure-house is reared,

As story says, in antique days

A stern-browed house appeared ;
Foil to a Jewel rich in light

* A pleasure-house built by the late Duke of Norfolk upon the banks of Ullswater. FORCE is the word used in the Lake District for Water-fall.