XXI.

1830.

[I HAVE reason to remember the day that gave rise to this Sonnet, the 6th of November, 1830. Having undertaken, a great feat for me, to ride my daughter's pony from Westmoreland to Cambridge, that she might have the use of it while on a visit to her uncle at Trinity Lodge, on my way from Bakewell to Matlock I turned aside to Chatsworth, and had scarcely gratified my curiosity by the sight of that celebrated place before there came on a severe storm of wind and rain which continued till I reached Derby, both man and pony in a pitiable plight. For myself, I went to bed at noon-day. In the course of that journey I had to encounter a storm worse if possible, in which the pony could (or would) only make his way slantwise. I mention this merely to add that notwithstanding this battering I composed, on horseback, the lines to the memory of Sir George Beaumont, suggested during my recent visit to Coleorton.]

CHATSWORTH! thy stately mansion, and the pride
Of thy domain, strange contrast do present
To house and home in many a craggy rent
Of the wild Peak; where new-born waters glide
Through fields whose thrifty occupants abide
As in a dear and chosen banishment,
With every semblance of entire content;
So kind is simple Nature, fairly tried!

Yet He whose heart in childhood gave her troth
To pastoral dales, thin-set with modest farms,
May learn, if judgment strengthen with his growth,
That, not for Fancy only, pomp hath charms;
And, strenuous to protect from lawless harms
The extremes of favoured life, may honour both.

XXII.

A TRADITION OF OKER HILL IN DARLEY DALE, DERBYSHIRE.

[THIS pleasing tradition was told me by the coachman at whose side I sate while he drove down the dale, he pointing to the trees on the hill as he related the story.]

'Tis said that to the brow of yon

fair hill

Two Brothers clomb, and, turning face from face,
Nor one look more exchanging, grief to still
Or feed, each planted on that lofty place
A chosen Tree; then, eager to fulfil
Their courses, like two new-born rivers, they
In opposite directions urged their way

Down from the far-seen mount. No blast might kill
Or blight that fond memorial;-the trees grew,
And now entwine their arms; but ne'er again
Embraced those Brothers upon earth's wide plain;
Nor aught of mutual joy or sorrow knew
Until their spirits mingled in the sea

That to itself takes all, Eternity.

XXIII.

FILIAL PIETY.

(ON THE WAYSIDE BETWEEN PRESTON AND LIVERPOOL.)

[THIS was also communicated to me by a coachman in the same way. In the course of my many coach rambles and journeys, which, during the day-time always and often in the night, were taken on the outside of the coach, I had good and frequent opportunities of learning the characteristics of this class of men. One remark I made that is worth recording; that whenever I had occasion especially to notice their well-ordered, respectful and kind behaviour to women, of whatever age, I found them, I may say almost always, to be married men.]

UNTOUCHED through all severity of cold;
Inviolate, whate'er the cottage hearth
Might need for comfort, or for festal mirth;
That Pile of Turf is half a century old:
Yes, Traveller! fifty winters have been told
Since suddenly the dart of death went forth
'Gainst him who raised it,—his last work on earth:
Thence has it, with the Son, so strong a hold

Upon his Father's memory, that his hands,
Through reverence, touch it only to repair

Its waste. Though crumbling with each breath of air,
In annual renovation thus it stands-

Rude Mausoleum! but wrens nestle there,

And red-breasts warble when sweet sounds are rare.

XXIV.

TO THE AUTHOR'S PORTRAIT.

[Painted at Rydal Mount, by W. Pickersgill, Esq., for St. John's College, Cambridge.]

[THE six last lines of this Sonnet are not written for poetical effect, but as a matter of fact, which, in more than one instance, could not escape my notice in the servants of the house.]

Go, faithful Portrait! and where long hath knelt
Margaret, the saintly Foundress, take thy place;
And, if Time spare the colours for the grace
Which to the work surpassing skill hath dealt,
Thou, on thy rock reclined, though kingdoms melt
And states be torn up by the roots, wilt seem
To breathe in rural peace, to hear the stream,
And think and feel as once the Poet felt.
Whate'er thy fate, those features have not grown
Unrecognised through many a household tear
More prompt, more glad, to fall than drops of dew
By morning shed around a flower half-blown;
Tears of delight, that testified how true
To life thou art, and, in thy truth, how dear!

XXV.

[IN the month of January,—when Dora and I were walking from Town-end, Grasmere, across the vale, snow being on the ground, she espied, in the thick though leafless hedge, a bird's nest half filled with snow. Out of this comfortless appearance

VOL. II.

AA

arose this Sonnet, which was, in fact, written without the least
reference to any individual object, but merely to prove to
myself that I could, if I thought fit, write in a strain that
Poets have been fond of. On the 14th of February in the
same year, my daughter, in a sportive mood, sent it as a
Valentine, under a fictitious name, to her cousin C. W.]

WHY art thou silent! Is thy love a plant
Of such weak fibre that the treacherous air
Of absence withers what was once so fair?
Is there no debt to pay, no boon to grant ?
Yet have my thoughts for thee been vigilant-
Bound to thy service with unceasing care,
The mind's least generous wish a mendicant
For nought but what thy happiness could spare.
Speak-though this soft warm heart, once free to hold
A thousand tender pleasures, thine and mine,
Be left more desolate, more dreary cold
Than a forsaken bird's-nest filled with snow
'Mid its own bush of leafless eglantine--
Speak, that my torturing doubts their end may know!

XXVI.

TO B. R. HAYDON, ON SEEING HIS PICTURE OF NAPOLEON
BUONAPARTE ON THE ISLAND OF ST. HELENA.

[THIS Sonnet, though said to be written on seeing the Portrait of Napoleon, was, in fact, composed some time after, extempore, in the wood at Rydal Mount.]

HAYDON! let worthier judges praise the skill
Here by thy pencil shown in truth of lines
And charm of colours; I applaud those signs
Of thought, that give the true poetic thrill;