 | Russell S. Spindler - 1964 - 184 páginas
...trying to put down, so he said, "the actual things which produced the emotion that you experienced . . . the sequence of motion and fact which made the emotion...luck and if you stated it purely enough, always." Because his eyes were fixed on "actual things," Hemingway's battle scenes had a force and clarity that... | |
 | F. Leavis - 1968 - 342 páginas
...timeliness which gives a certain emotion to any account of something that has happened on that day: but the real thing, the sequence of motion and fact which...be as valid in a year or in ten years or, with luck if you stated it purely enough, always, was beyond me, and I was working very hard to get it. ' Here... | |
 | Jackson J. Benson - 218 páginas
...timelessness which gives a certain emotion to any account of something that has happened on that day; but the real thing, the sequence of motion and fact which...with luck and if you stated it purely enough, always, was beyond me and I was working very hard to try to get it. ( p. 2 ) Emotion is central to the task... | |
 | Carlos Baker - 1972 - 464 páginas
...were which produced the emotion" felt by the observer. No wonder that he was finding it hard to get "the real thing, the sequence of motion and fact which made the emotion." Whatever that real thing was, if you stated it "purely" enough and were likewise lucky, there was a... | |
 | Houston A. Baker - 1987 - 240 páginas
...could express yourself to somebody, sort of lighten the thing up. Henry Townsend, blues guitarist But the real thing, the sequence of motion and fact which...the emotion and which would be as valid in a year or ten years or, with luck and if you stated it purely enough, always, was beyond me and I was working... | |
 | Robert E. Scholes - 1985 - 190 páginas
...timeliness which gives a certain emotion to any account of something that has happened on that day; but the real thing, the sequence of motion and fact which...with luck and if you stated it purely enough, always, was beyond me and I was working very hard to get it. The only place where you could see life and death,... | |
 | Günther Blaicher - 1987 - 386 páginas
...in action; what the actual things were which produced the emotion that you experienced (. . .) but the real thing, the sequence of motion and fact which...with luck and if you stated it purely enough, always, was beyond me and I was working very hard to try to get it.16 In seinem frühen Roman Farewell to Arms... | |
 | Houston A. Baker - 1987 - 240 páginas
...thing, the sequence of motion and fact which made the emotion and which would be as valid in a year or ten years or, with luck and if you stated it purely enough, always, was beyond me and I was working very hard to get it. Ernest Hemingway, Death in the Afternoon The possibilities... | |
 | Miles Orvell - 1989 - 412 páginas
...subject inevitably conveyed a certain emotion, with the peculiar literary effects he was aiming at: "But the real thing, the sequence of motion and fact which...the emotion and which would be as valid in a year or ten years or, with luck and if you stated it purely enough, always, was beyond me and I was working... | |
 | Catherine H. Zuckert - 1990 - 294 páginas
...timeliness which gives a certain emotion to any account of something that has happened on that day; but the real thing, the sequence of motion and fact which...with luck and if you stated it purely enough, always, was beyond me and 1 was working very hard to get it." Journalism has an impact basically because of... | |
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... the real thing, the sequence of motion and fact which made the emotion and which would be as valid in a year or in ten years or, with luck and if you stated it purely enough, always, was beyond me and I was working very hard to try to get it. 
