The Discarded Image: An Introduction to Medieval and Renaissance LiteratureHarper Collins, 2013 M11 5 - 100 páginas In The Discarded Image, C.S. Lewis paints a lucid picture of the medieval world view, providing the historical and cultural background to the literature of the Middle Ages and Renaissance. It describes the "image" discarded by later years as "the medieval synthesis itself, the whole organization of their theology, science and history into a single, complex, harmonious mental model of the universe." This, Lewis’s last book, has been hailed as "the final memorial to the work of a great scholar and teacher and a wise and noble mind." |
Contenido
The Seminal Period | |
The Heavens | |
The Longaevi | |
Earth and Her Inhabitants | |
The Influence of the Model | |
Epilogue | |
Otras ediciones - Ver todas
The Discarded Image: An Introduction to Medieval and Renaissance Literature C. S. Lewis Vista previa limitada - 1994 |
The Discarded Image: An Introduction to Medieval and Renaissance Literature C. S. Lewis Vista previa limitada - 2012 |
Términos y frases comunes
already angels appears become begin believe body Boethius century Chalcidius CHAPTER Chaucer Christian common conception creatures daemons Dante describes divine doctrine doubt dreams Earth elements English existence fact Fairies fame feel four gives gods hand Heaven Hence human imagination important influence intellectual Intelligence interest Italy kind knowledge language later Latin less light literature looks lost matter mean medieval merely Middle Ages Milton mind Model Moon move Nature never once original Pagan passage perhaps period philosophical planets Plato poets question Rational reader reason regarded Rhetoric says seems seen sense sometimes sort soul speak sphere spirits stars story suggest suppose Tale things thought true truth turn universe whole writers