There lack'd, I promise you, no longer speeches To rid the palace of those learned leeches. VI. Then was the council call'd-by their advice Tartars and couriers in all speed were sent, Of feudatory chieftains and freeholders- 1 VII. The Omrahs, each with hand on scymitar, Gave, like Sempronius, still their voice for war"The sabre of the Sultaun in its sheath Too long has slept, nor own'd the work of death; Let the Tambourgi bid his signal rattle, But their long-headed chief, the Sheik Ul-Sofit, More closely touch'd the point:-"Thy studious mood," Quoth he, "O Prince! hath thicken'd all thy blood, And dull'd thy brain with labor beyond measure; Wherefore relax a space and take thy pleasure, And toy with beauty, or tell o'er thy treasure; From all the cares of state, my Liege, enlarge thee, And leave the burden to thy faithful clergy." IX. These counsels sage availed not a whit, And so the patient (as is not uncommon Or only made believe, I cannot say— Bang the loud gong, and raise the shout of bat- She deem'd it fitting time to use her own. tle! This dreary cloud that dims our sovereign's day, Shall from his kindled bosom flit away, When the bold Lootie wheels his courser round, And the arm'd elephant shall shake the ground. Each noble pants to own the glorious summonsAnd for the charges-Lo! your faithful Com mons!" The Riots who attended in their places From this oration auguring much disquiet, Double assessment, forage, and free quarters; And fearing these as China-men the Tartars, Or as the whisker'd vermin fear the mousers, Each fumbled in the pocket of his trowsers. VIII. And next came forth the reverend Convocation, Bald heads, white beards, and many a turban green, Imaum and Mollah there of every station, Santon, Fakir, and Calendar were seen. Their votes were various-some advised a Mosque With fitting revenues should be erected, With seemly gardens and with gay Kiosque, To recreate a band of priests selected; Others opined that through the realms a dole Be made to holy men, whose prayers might profit The Sultaun's weal in body and in soul. 'See Sir John Malcolm's admirable History of Persia. Sympathia magica hath wonders done" (Thus did old Fatima bespeak her son), It works upon the fibres and the pores, I mean his SHIRT, my son; which, taken warm But, says the Chronicle (who will go look it), "Was call'd The Happy many ages sinceFor Mokha, Rais."-And they came safely thither. But not in Araby, with all her balm, 66 XIL Enough of turbans," said the weary King, Our poor old boot," they said, "is torn to pieces. XIII. Monsieur Baboon, after much late commotion, Was agitated like a settling ocean, I Quite out of sorts, and could not tell what ail'd him, Only the glory of his house had fail'd him; Our Prince, though Sultauns of such things are heedless, Thought it a thing indelicate and needless To ask, if at that moment he was happy. Loud voice mustered up, for " Vive le Roi ! Then whisper'd, "Ave you any news of Nappy!" The Sultaun answer'd him with a cross question,"Pray, can you tell me aught of one John Bull, That dwells somewhere beyond your herring pool?" The query seem'd of difficult digestion, The party shrugg'd, and grinn'd, and took his snuff And found his whole good-breeding scarce enough. XIV. Twitching his visage into as many puckers XV. John Bull was in his very worst of moods, Yet, grumbler as he is, so kind and hearty, Poor John had wellnigh wept for Bonaparte! Such was the wight whom Solimaun salam'd,"And who are you," John answer'd, "and b d-d?" And Monsieur, seeing that he was comme il faut. a Have left us scarcely raiment to our backs.”— 1 The well-known resemblance of Italy in the map. Florence, Venice, &c. The Calabrias, infested by bands of assassins. One of the leaders was called Fra Diavolo, i. e. Brother Devil. 4 Or drubbing; so called in the Slang Dictionary. 5 See the True-Born Englishman, by Daniel De Foo. 6 Europe. In that case, signior, I may take my leave; I came to ask a favor-but I grieve”"Favor?" said John, and eyed the Sultaun hard, "It's my belief you come to break the yard !— But, stay, you look like some poor foreign sinner,— Take that to buy yourself a shirt and dinner."With that he chuck'd a guinea at his head; But, with due dignity, the Sultaun said, "Permit me, sir, your bounty to decline; A shirt indeed I seek, but none of thine. Signior, I kiss your hands, so fare you well.”— 'Kiss and be d-d," quoth John, “and go to hell!" XVII. Next door to John there dwelt his sister Peg, A quiet soul as any in the nation; XVIII. The Sultaun enter'd, and he made his leg, per, And if the nitmugs were grown ony cheaper;— XIX. Then up got Peg, and round the house 'gan scuttle Now, for the land of verdant Erin, For a long space had John, with words of thunder, The Sultaun saw him on a holiday, Which is with Paddy still a jolly day: When mass is ended, and his load of sins Confess'd, and Mother Church hath from her binns Dealt forth a bonus of imputed merit, Then is Pat's time for fancy, whim, and spirit! XXII. Shilela their plan was wellnigh after baulking They seized, and they floor'd, and they stripp'd him-Alack! Up-bubboo! Paddy had not- -a shirt to his back!!! And the King, disappointed, with sorrow and shame, Went back to Serendib as sad as he came. That in your service strive not yet in vain? "Is this the man who once could please our sires ?" And scorn assumes compassion's doubtful mien, 1 These lines first appeared, April 5, 1817, in a weekly sheet, called the "Sale Room," conducted and published by Messrs. Ballantyne and Co. at Edinburgh. In a note prefixed, Mr. James Ballantyne says, "The character fixed upon, with happy propriety, for Kemble's closing scene, was Macbeth, in which he took his final leave of Scotland on the evening of Saturday, the 29th March, 1817. He had labored under a severe cold for a few days before, but on this memorable night the physical annoyance yielded to the energy of his mind.-'He was,' he said, in the green-room, immediately before the curtain rose, determined to leave behind him the most perfect specimen of his art which he had ever shown,' and his success was complete. At the moment of the tyrant's death the curtain fell by the universal acclamation of the audience. The applauses were vehement and prolonged; they ceasedwere resumed--rose again -were reiterated--and again were hushed. In a few minutes the curtain ascended, and Mr. Kemble came forward in the dress of Macbeth (the audience by a consentaneous movement rising to receive him), to deliver The last, the closing scene, must be my own. My life's brief act in public service flown, Here, then, adieu! while yet some well-graced parts May fix an ancient favorite in your hearts, And I have felt, and you have fann'd the flame! Those hours must live-and all their charms are yours. O favor'd Land! renown'd for arts and arms, For manly talent, and for female charms, Could this full bosom prompt the sinking line What fervent benedictions now were thine! But my last part is play'd, my knell is rung, When e'en your praise falls faltering from my tongue; And all that you can hear, or I can tell, Is-Friends and Patrons, hail, and FARE YOU WELL Lines, WRITTEN FOR MISS SMITH. 1817. WHEN the lone pilgrim views afar his farewell." "Mr. Kemble delivered these lines with exquisite beauty, and with an effect that was evidenced by the tears and sobs of many of the audience. His own emotions were very conspicuous. When his farewell was closed, he ingered long on the stage, as if unable to retire. The house again stood up. and cheered him with the waving of hate and long shouts of applause. At length, he finally retired and, m so far as regards cotland, the curtain dropped upon his profes sional life for ever." 2 These lines were first printed in "The Forget-Me-Not, for 1834." They were written for recitation by the distinguished actress, Miss Smith, now Mrs. Bartley, on the night of her benefit at the Edinburgh Theatre, in 1817; but reached her too late for her purpose. In a letter which inclosed them, the poet intimated that they were written on the morning of the day on which they were sent--that he thought the idea better than the execution, and forwarded them with the hope of their adding perhaps "a little salt to the bill." As near he draws, and yet more near, We too, who ply the Thespian art, To give the applause she dare not ask; AIR-" Rimhin aluin 'stu mo run.” The air, composed by the Editor of Albyn's Anthology. T words written for Mr. George Thomson's Scottish Melodies [1822.] THE sun upon the Weirdlaw Hill, In Ettrick's vale, is sinking sweet; The westland wind is hush and still, The lake lies sleeping at my feet. Yet not the landscape to mine eye Bears those bright hues that once it bore; Though evening, with her richest dye, Flames o'er the hills of Ettrick's shore. With listless look along the plain, I see Tweed's silver current glide, And coldly mark the holy fane Of Melrose rise in ruin'd pride. The quiet lake, the balmy air, The hill, the stream, the tower, the tree,Are they still such as once they were? Or is the dreary change in me? Alas, the warp'd and broken board, How can it bear the painter's dye! The harp of strain'd and tuneless chord, How to the minstrel's skill reply! To aching eyes each landscape lowers, To feverish pulse each gale blows chill; And Araby's or Eden's bowers Were barren as this moorland hill. The Sun upon the Weirdlaw Hill. 1817. ["Scort's enjoyment of his new territories was, however, interrupted by various returns of his cramp, and the depression of spirit which always attended, in his case, the use of opium, the only medicine that seemed to have power over the disease. It was while struggling with such languor, on one lovely evening of this autumn, that he composed the following beautiful verses. They mark the very spot of their birth,-namely, the then naked height overhanging the northern side of the Cauldshiels Loch, from which Melrose Abbey to the eastward, and the hills of Ettrick and Yarrow to the west, are now visible over a wide range of rich woodland,--all the work of the poet's hand.” -Life, vol. v. p. 237.] 1 "O favor'd land! renown'd for arts and arms, For manly talent, and for female charms." Lines written for Mr. J. Kemble. "Nathaniel Gow told me that he got the air from an old The Monks of Bangor's March. 1817. ETHELFRID or OLFRID, King of Northumberland, having besieged Chester in 613, and BROCKMAEL, a British Prince, advancing to relieve it, the religious of the neighboring Monastery of Bangor marched in procession, to pray for the success of their countrymen. But the British being totally defeated, the heathen victor put the monks to the sword, and destroyed their monastery. The tune to which these verses are adapted is called the Monks' March, and is supposed to have been played at their ill-omened procession. WHEN the heathen trumpet's clang gentleman, a Mr. Dalrymple of Orangefield (he thinks), whe had it from a friend in the Western Isles, as an old Highland air "- GEORGE THOMSON. |