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" From all its chapters, from all its pages, from all its sentences, the wellwritten novel echoes and re-echoes its one creative and controlling thought; to this must every incident and character contribute ; the style must have been pitched in unison with... "
University Studies - Página 197
por University of Nebraska (Lincoln campus) - 1903
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The Sewanee Review, Volumen17

1909 - 646 páginas
...— unity of note and aim and hence of final impression. "From all its chapters," writes Stevenson, "from all its pages, from all its sentences, the well-written...and — (I had almost said) — fuller without it." To sustain a given key of conversation and description, to let the measure or rhythm of narrative harmonize...
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The Novels and Tales of Robert Louis Stevenson...

Robert Louis Stevenson - 1895 - 380 páginas
...a common end. For the welter of impressions, all forcible but all discreet, which life presents, it substitutes a certain artificial series of impressions,...abrupt and poignant ; a work of art, in comparison, is'neat, finite, self-contained, rational, flowing and emasrutate." Life imposes by brute energy, like...
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Virginibus Puerisque: Memories and Portraits

Robert Louis Stevenson - 1895 - 396 páginas
[ Lo sentimos, el contenido de esta página está restringido. ]
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The Novels and Tales of Robert Louis Stevenson, Volumen13

Robert Louis Stevenson, Lloyd Osbourne, Fanny Van de Grift Stevenson, William Ernest Henley - 1895 - 380 páginas
...a common end. For the welter of impressions, all forcible but all discreet, which life presents, it substitutes a certain artificial series of impressions,...another way, the book would be stronger, clearer, and (1 had almost said) fuller without it. Life is mon349 strous, infinite, illogical, abrupt and poignant;...
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The Novels and Tales of Robert Louis Stevenson ...

Robert Louis Stevenson - 1898 - 408 páginas
[ Lo sentimos, el contenido de esta página está restringido. ]
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The Literary World, Volumen30

1899 - 480 páginas
...chapters, from all its pages, from all its sentences, the well-written novel echoes and reechoes its own creative and controlling thought ; to this must every...clearer, and (I had almost said) fuller without it,— ROBERT Louis STEVENSON: Memories and Portraits. ORIGINAL POETRY, John Henry Boynton. Author of Driftwood,...
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The Working Principles of Rhetoric Examined in Their Literary Relations and ...

John Franklin Genung - 1900 - 704 páginas
...a common end. For the welter of impressions, all forcible but all discreet, which life presents, it substitutes a certain artificial series of impressions,...clearer, and (I had almost said) fuller without it." — STEVENSON, A Humble Jfemonstrana, Works, Vol. xiii, p. 349. * " Keeping the beginning and the end...
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Working Principles of Rhetoric ...

John Franklin Genung - 1900 - 702 páginas
...a common end. For the welter of impressions, all forcible but all discreet, which life presents, it substitutes a certain artificial series of impressions,...clearer, and (I had almost said) fuller without it." — STEVENSON, A Humble Remonstrance, Works, Vol. xiii, p. 349. « This influence of the end may be...
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The Art of Robert Louis Stevenson as a Writer of Fiction

Martin Wendell Odland - 1900 - 324 páginas
...contribute; the style "iust have boon ¿jit che I in. unison with this; and if there is an^nvLore я word that looks another way, the book would be ¡stronger, clearer, and (I had ;'l~ioco said) fuller without it. Life is rion&trour;, i.'ifiiitc, ilLojical, ab."Ui>t arv.;. poi/jnaat;...
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The Literary World, Volumen30

1899 - 478 páginas
...from all its sentences, the well-written novel echoes and reechoes its own creative and ccntrolling thought ; to this must every incident and character...clearer, and (I had almost said) fuller without it. — ROBERT Louis STEVENSON : Memories and Portraits. ORIGINAL POETRY. John Henry Boynton. Author of...
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