...as Walter Pater rails it in his most brilliant essay, " that architectural conception of work, which foresees the end in the beginning and never loses...justify the first — a condition of literary art which ... I shall call the necessity of mind in style."1 In an interesting little book2 I quoted at the beginning...

...all-important, felt, or painfully missed, everywhere ? — that architec tural conception of work, which foresees the end in the beginning and never loses...condition of literary art, which, in contradistinction to another quality of the artist himself, to be spoken of later, I shall call the. necessity of mind in...

...all-important, felt or painfully missed every where ? — that architectural conception of work, which foresees the end in the beginning and never loses...till the last sentence does but, with undiminished vigor, unfold and justify the first — a condition of literary art, which, in contradistinction to...

...important, felt or painfully missed, everywhere ? — that architectural conception of work, which foresees the end in the beginning, and never loses...condition of literary art, which, in contradistinction to another quality of the artist himself, to be spoken of later, I shall call the necessity of mind in...

...Pater, "structure is all important. The writer must have that architectural conception of work which foresees the end in the beginning and never loses...till the last sentence does but, with undiminished vigor, unfold and justify the first." For such work no rules are possible, though the existence of...

...stories are perfect illustrations — of "that architectural conception of the work which perceives the end in the beginning and never loses sight of...till the last sentence does but, with undiminished vigor, unfold and justify the first." In fact it is not the surprise at the end that reveals the technical...

...important, felt, or painfully missed, everywhere ? — that architectural conception of work, which foresees the end in the beginning and never loses...condition of literary art, which, in contradistinction to another quality of the artist himself, to be spoken of later, I shall y/ call the ,necessity of mind...

...all-important, felt, or painfully missed, everywhere ?—that architectural conception of work, which foresees the end in the beginning and never loses...but, with undiminished vigour, unfold and justify the first—a condition of literary art, which, in contradistinction to another quality of the artist himself,...

...Pater means when he speaks of — That architectural conception of a work which foresees the end from the beginning, and never loses sight of it, and in every part is conscious of all the rest, till the very last sentence does but, with undiinhushed vigor, unfold and justify the first. The conclusion...

...Pater means when he speaks of — That architectural conception of a work which foresees the end from the beginning, and never loses sight of it, and in every part is conscious of all the rest, till the very last sentence does but, with undiminished vigor, unfold and justify the first. . The conclusion...