From Covent Garden crowds promifcuous go, 620 They scarcely knew the left hand from the right: Sparks, at his glass fat comfortably down, 625 To fep'rate frown from fmile, and fmile from frown. Smith, the genteel, the airy, and the fmart, Smith was just gone to school to fay his part. 630 Statira, with her hero to agree, Stood on her feet as faft afleep as he. Macklin, who largely deals in half-form'd founds, Who wantonly tranfgreffes Nature's bounds, Whose acting's hard, affected, and constrain❜d. 635 Whose features, as each other they disdain'd, Nor fhew the mingled pow'rs of light and shade; 640 Whilft the whole town, mad with mistaken zeal, 645 An aukward rage for elocution feel, Dull cits and grave divines his praise proclaim, And join with Sheridan's, their Macklin's name. Whether he left out nonfenfe, or put in; 650 Who aim'd at wit, tho' levell'd in the dark, The random arrow feldom hit the mark, At At Islington, all by the placid ftream, Where city fwains in lap of dulnefs dream; Where quiet as her strains their strains do flow, But think not, tho' these daftard chiefs are fled, 655 660 Wedded to Novelty, his only arms 656 Are wooden fwords, wands, talifmans, and charms : On one fide Folly fits, by fome call'd Fun; Senfe, helpless captive! drags the galling chain; 670 675 On fashion's mould'ring bafe, their tranfient praife. 680 Their force, for Britain owns no Salique law : First, giggling, plotting chamber-maids arrive, 685 For humour fam'd, and humour all her own: Eafy, Eafy, as if at home, the ftage fhe trod, Nor fought the critick's praise, nor fear'd his rod : 690 Original in spirit, and in ease, She pleas'd, by hiding all attempts to please: No comick actress ever yet could raise, Qn humour's base, more merit or more praise. 695 With all the native vigour of fixteen, She charms the town with humour juft, yet new: 700 Lo! Vincent comes-with fimple grace array'd,. She laughs at paltry arts, and fcorns paradę: Nature thro' her is by reflection shown, 705 Whilst Gay once more knows Polly for his own. From impudence itself extort applause. 710 Let Tommy Arne, with ufual pomp of style, Whofe chief, whose only merit's to compile, 715 Who, meanly pilf'ring here and there a bit, And teach e'en Brent a method not to please; 720 But never shall a truly British age Bear a vile race of eunuchs on the stage: The boasted work's call'd National in vain, If one Italian voice pollutes the strain. Where Where tyrants rule, and flaves with joy obey, 175725 In native notes whilft Beard and Vincent fing. 7.30 Still hand in hand her words and actions go, What's a fine perfon, or a beauteous face, The curious eye their aukward movement tires; 745 They seem like puppets led about by wires: Others, like statues, in one pofture ftill, Give great ideas of the workman's skill; Wond'ring, his art we praise the more we view, And only grieve he gave not motion too. 750 Weak, of themselves, are what we beauties call; It is the manner which gives strength to all: This teaches ev'ry beauty to unite, And brings them forward in the nobleft light. Happy in this, behold, amidst the throng, 755 With tranfient gleam of grace, Hart fweeps along. If all the wonders of eternal grace, A perfon finely turn'd, a mould of face, Where, union rare, Expreffion's lively force 760 Attract Attract the eye; if feelings, void of art, When fear, which rank ill-nature terms conceit, By time and cuftom conquer'd, shall retreat; 765 770 Brought into action, the at once shall raise, Her own renown, and justify our praise. Form'd for the tragick fcene, to grace the stage 775 780 785 When poor Alicia's madd'ning brains are rack'd, My brain turns round, the headless trunk I view ! 790 The roof cracks, shakes, and falls !-new horrors rise, And Reafon bury'd in the ruin lies. Nobly difdainful of each flavish art, She makes her first attack upon the heart; Pleas'd with the fummons, it receives her laws, 795 And all is filence, fympathy, applaufe. F. But |