I spake, when whispered a low voice, The Minstrels of Pygmean bands, Have shells to fit their tiny hands Some, still more delicate of ear, Whose framework is of gossamer, While sunbeams are the chords. Gay Sylphs this miniature will court, Whence strains to love-sick maiden dear, Trust, angry Bard! a knowing Sprite, 1827. XIX. THE CONTRAST, THE PARROT AND THE WREN. I. WITHIN her gilded cage confined, A Parrot of that famous kind Like beads of glossy jet her eyes; And, smoothed by Nature's skill, With pearl or gleaming agate vies Her finely-curvèd bill. Her plumy mantle's living hues In mass opposed to mass, Outshine the splendour that imbues And, sooth to say, an apter Mate Of feathered Thing most delicate But, exiled from Australian bowers, She trills her song with tutored powers, Or mocks each casual note. No more of pity for regrets With which she may have striven ! Arch, volatile, a sportive bird And pleased to be admired! II. THIS MOSS-LINED shed, green, soft, and dry, Not shunning man's abode, though shy, Strange places, coverts unendeared, She never tried; the very nest In which this Child of Spring was reared, Is warmed, thro' winter, by her feathery breast. To the bleak winds she sometimes gives Proof that the hermitess still lives, Though she appear not, and be sought in vain. Say, Dora! tell me, by yon placid moon, Or Nature's DARKLING of this mossy shed? 1825. XX. THE DANISH BOY. A FRAGMENT. 1. BETWEEN two sister moorland rills There is a spot that seems to lie Sacred to flowerets of the hills, And sacred to the sky. And in this smooth and open dell There is a tempest-stricken tree; A corner-stone by lightning cut, The last stone of a lonely hut; And in this dell you see A thing no storm can e'er destroy, The Shadow of a Danish Boy. |