MacDuff's Cross. INTRODUCTION. THESE few scenes had the honour to be included in a Miscellany, published in the year 1823, by Mrs. Joanna Baillie, and are here reprinted, to unite them with the trifles of the same kind which owe their birth to the Author. The singular history of the Cross and Law of Clan MacDuff is given, at length enough to satisfy the keenest antiquary, in The Minstrelsy of the Scottish Border. It is here only necessary to state, that the Cross was a place of refuge to any person related to MacDuff, within the ninth degree, who, having committed homicide in sudden quarrel, should reach this place, prove his descent from the Thane of Fife, and pay a certain penalty. The shaft of the Cross was destroyed at the Reformation. The huge block of stone which served for its pedestal is still in existence near the town of Newburgh, on a kind of pass which commands the county of Fife to the southward, and to the north, the windings of the magnificent Tay and fertile country of Angus-shire. The Cross bore an inscription, which is transmitted to us in an unintelligible form by Sir Robert Sibbald. Placed on the summit of this mountain-pass, On which, in ancient times, a Cross was And the events it did commemorate And, lo! the scene is hallow'd. pass, None shall Now, or in after days, beside that stone, But he shall have strange visions; thoughts and words, That shake, or rouse, or thrill the human heart, Shall rush upon his memory when he hears The spirit-stirring name of this rude symbol;Oblivious ages, at that simple spell, Shall render back their terrors with their woes, Alas! and with their crimes-and the proud phantoms Shall move with step familiar to his eye, And accents which, once heard, the car forgets not, Though ne'er again to list them. Siddas, thine, Thou matchless Siddons! thrill upon our ear; And on our eye thy lofty Brother's form Rises as Scotland's monarch.-But, to thee, Joanna, why to thee speak of such visions? Thine own wild wand can raise them. Yet since thou wilt an idle tale of mine, Take one which scarcely is of worth enough To give or to withhold. -Our time creeps vi, Fancy grows colder as the silvery hair Tells the advancing winter of our life. But if it be of worth enough to please, That worth it owes to her who set the task: If otherwise, the fault rests with the Auth -0SCENE I. The summit of a Rocky Pess near to Norbergh, about two miles from the ancient Abbey of Lies dores, in Fife. In the centre is MacDe's Coats, an antique Monument; and, at a small distant, on one side, a Chapel, with a Laap burning, Enter, as having ascended the Pass, NINIAN and WALDHAVE, Monks of Lindores. NINIAN crosses himself, and seems to recite his decotions. WALDHAVE stands gazing on the prospect, as if in deep contemplation. NIN. Here stands the Cross, good brother, By the bold Thane unto his patron saint WAL. I have trode a rougher. NIN. But of the road of life which I have travell'd, With wide horizon, opens full around, Ninian, Brother Fain would I hope that mental elevation NIN. 'Tis good morality.-But yet forget no, That though we look on heaven from this high eminence, Yet doth the Prince of all the airy space, From the bright heaven they aim at, even They deem themselves secure on't. Nix. (after a pause.) MacDuff's descendant rings his brow with it: MacDuff's descendant leads the van in battle: To see the custom of the place observed? You do gaze-Since Saint Magridius-blessed be his mem- Strangers are wont to do so-on the prospect. Did by a vision warn the Abbot Eadmir.--- From this return of Berkeley from abroad, NIN. Honour'd and fear'd he was-but little For even his bounty bore a show of sternness; By my good saint! I thought myself scarce Shame, that a man should rein a steed like safe I heard their tread when kneeling in the chapel. WAL. (looking to a distance.) My thoughts have rapt me more than thy devotion, Else had I heard the tread of distant horses Farther than thou couldst hear the sacring bell; But now in truth they come: flight and pursuit Are sights I've been long strange to. NIN. See how they gallop down the opposing hill! Yon grey steed bounding down the headlong path, As on the level meadow; while the black, While only one pursues him. Coward, turn!- thee, Yet fear to turn his front against a foe!- NIN. Yet look again; they quit their horses now, Unfit for the rough path: the fugitive Keeps the advantage still.-They strain towards us. WAL. I'll not believe that ever the bold Thane Rear'd up his Cross to be a sanctuary To the base coward, who shunn'd an equal combat. How's this?--that look-that mien-mine eyes grow dizzy!- NIN. He comes!-thou art a novice on this watch, Brother, I'll take the word and speak to him. Pluck down thy cowl; know, that we spiritual champions Have honour to maintain, and must not seem To quail before the laity. [WALDHAVE lets down his cowl, and steps back. To sheath thy sword, and stir no contest here. LIN. One charm I'll try first, To lure the craven from the enchanted circle This is my brother's sword--the hand it arms As these good men may say an ave-marie,— BEP. Were not my right hand fetter'd by the thought That slaying thee were but a double guilt LIN. He quails, and shuns to look upon my weapon, Yet boasts himself a Berkeley! BER. Lindesay, and if there were no decper cause For shunning thee than terror of thy weapon, That rock-hewn Cross as soon should start and stir, Because a shepherd-boy blew horn beneath it, As I for brag of thine. NIN. I charge you both, and in the name of Heaven, Breathe no defiance on this sacred spot, Where Christian men must bear them peacefully, On pain of the Church thunders. Calmly tell Your cause of difference; and, Lord Lindesay, | thou Be first to speak them. LIN. Ask the blue welkin-ask the silver Tay, The northern Grampians-all things know my wrongs; But ask not me to tell them, while the villain, Who wrought them, stands and listens with a smile. NIN. It is said Since you refer us thus to general fame- In his own halls at Edzell LIN. Ay, in his halls In his own halls, good father, that's the word. In his own halls he slew him, while the wine Pass'd on the board between! The gallant Thane, Who wreak'd Macbeth's inhospitable murder, Rear'd not yon Cross to sanction deeds like these. BER. Thou say'st I came a guest!-I came a victim, A destined victim, train'd on to the doom For vengeance, -until then I guarded life, And then didst slay him! BER. There is a busy fiend tugs at my heart, Forgive me that I caused your brother's death; LIN. Take worse and blacker.----Murderer, adulterer! Art thou not moved yet? BER. Compell'd to stand at bay, grows dangerous! NIN. This heat, Lord Berkeley, doth but ill accord With thy late pious patience. BER. Father, forgive, and let me stand excused To Heaven and thee, if patience brooks no more. I loved this lady fondly--truly loved- LIN. Follow me. Thou shalt hear me call the adulteress By her right name.-I'm glad there's yet a spur Can rouse thy sluggard mettle. BER. Make then obeisance to the blessed penal fire, (For sure not yet thy guilt is expiated!) Stern ghost of her destroyer! WAL. (throws back his cowl.) He hears! ho hears! Thy spell hath raised the dead. LIN. My brother! and alive!WAL. Alive, but yet, my Richard, dead to thee, No tie of kindred binds me to the world; I but sought To do the act and duty of a brother. But if he can forgive as I forgive, Woo her, and be successful. | GULLCRAMMER, a conceited Studcat. Blackthorn and Katleen. SPIRIT OF LORD ERICK OF DEVORGOIL. Peasants, Shepherds, and Vassals of inferior rank. THE first of these dramatic pieces was long since written, for the purpose of obliging the late Mr. Terry, then Manager of the Adelphi Theatre, for whom the Author had a particular regard. The manner in which the mimic goblins of Devorgoil are intermixed with the ELEANOR, Wife of Oswald, descended of obscure supernatural machinery was found to be obParentage. jectionable, and the production had other FLORA, Daughter of Oswald. faults, which rendered it unfit for representa- | KATLEEN, Niece of Eleanor. tion. I have called the piece a Melo-drama, for want of a better name; but, as I learn from the unquestionable authority of Mr. Colman's Random Records, that one species of the drama is termed an extravaganza, I am sorry I was not sooner aware of a more appropriate name than that which I had selected ior Devorgoil. The Author's Publishers thought it desirable, that the scenes, long condemned to oblivion, should be united to similar attempts of the sime kind; and as he felt indifferent on the subject, they are printed in the same volume with Halidon Hill and MacDuff's Cross, and thrown off in a separate form, for the convenience of those who possess former editions of the Author's Poetical Works. In The general story of the Doom of Devorgoil is founded on an old Scottish tradition, the scene of which lies in Galloway. The crime Supposed to have occasioned the misfortunes of this devoted house, is similar to that of a Lord Herries of Hoddam Castle, who is the principal personage of Mr. Charles Kirkpatrick Sharpe's interesting ballad, in the Minstrelsy of the Scottish Border, vol. iv., p. 307. remorse for his crime, he built the singular monument called the Tower of Repentance. In many cases the Scottish superstitions allude to the fairies, or those who, for sins of a milder description, are permitted to wander with the "rout that never rest," as they were termed by Dr. Leyden. They imitate human labour and human amusements, but their toil is useless, and without any advantageous result; and their gaiety is unsubstantial and hollow. The phantom of Lord Erick is supposed to be a spectre of this character. The story of the Ghostly Barber is told in many countries; but the best narrative founded on the passage, is the tale called Stumme Liebe, among the legends of Musæus. I think it has been introduced upon the English stage in some pantomime, which was one objection to bringing it upon the scene a second time. ABBOTSFORD, April, 1830. --0 DRAMATIS PERSONE. OSWALD OF DEVORGOIL, a decayed Scottish Baron. -0 ACT I. SCENE I. The Scene represents a wild and hilly, but not a mountainous Country, in a frontier District of Scotland. The flat Scene exhibits the Cartie Devorgoil, decayed, and partly ruinovs, FLORA caters from the Castle, looks timidly SONG. The sun upon the lake is low, The wild birds hush their song, Now all whom varied toil and care The noble dame, on turret high, The village maid, with hand on brow, For Colin's darkening plaid. Now to their mates the wild swans row, [KATLEEN has come out of the Castle while KAT. Ah, my dear coz!-if that your mother's niece May so presume to call your father's daughter-LANCELOT BLACKTHORN, a Companion of Leo- All these fond things have got some home of DURWARD, a Palmer. nard, in love with Katleen. comfort |